How To Make Money As A Makeup Artist
Hither's a look at women's 1950s hairstyles. Following on from the hardship of World War Two and rationing, the fifties was a time of relative prosperity. Disposable income combined with an increase in mass media encouraged the consumption of fashion. New pilus intendance products were designed to allow women to practise their pilus hands at home – and ladies did everything possible to change their pilus.
Influences on Women's 1950s Hairstyles
Film Stars
Leading ladies like Audrey Hepburn, Grace Kelly, Elizabeth Taylor, Dorothy Dandridge, Debbie Reynolds, and Doris Day influenced the latest hairstyles.Others like Marilyn Monroe and Jayne Mansfield had their trademark looks.
Idiot box
While movies and the people in them were still very influential, television set was the next big thing. More and more than people were now devoting their free time to staying in and watching the box. Later on, this influenced how people saw themselves and the world around them.
Lucille Ball is arguably the biggest star of television during the 1950s. Her sitcom I Love Lucy (1951-seven) was one of the most-watched programmes in America.
Advertisements
Mass media influenced beauty ideals and fashion.Pilus and makeup adverts featured in all forms of media, including Boob tube, cinema and magazines. The biggest stars of the day adorned the covers, such every bit Lucille Ball, who appeared on more Television receiver Guide covers than any other person to appointment.
Italian Passion
There was a beloved for Italian fashions, attitude and lifestyle during the 1950s, peculiarly in the U.s..Italian films like La Strada (1954) sparked the 'storia d'amore'.
Hollywood films with an Italian connection also sparked the honey – for example,Three Coins in the Fountain(1954),The Rose Tattoo (1955), andSummertime (1955).
Hairdressers
Hairdressers were making their mark, creating styles for their wealthy clients and helping to popularise fashion styles.
Raymond Bessone (as well known as Mr Teasie-Weasie) was the British hairdresser during the 1950s. He often appeared on tv set and could exist considered the first glory hairdresser with clients such every bit Diana Dors. He loved to use bold colour in his clients' hair, and his chain of hair salons was very successful.
Louis Alexandre Raimon (known as Alexandre de Paris) was a famous French hairdresser who styled diverse stars of the screen, including Greta Garbo, Audrey Hepburn, Liz Taylor, and Lauren Bacall.
The prominent barber for the Hollywood motion-picture show industry was Sydney Guilaroff – the first barber to get a screen credit for their piece of work. Since the 1930s, Guilaroff had done the hair on many films. His condition was such that iconic 1950s actress Grace Kelly chose him to fashion her pilus for her 1956 wedding to Prince Rainier of Monaco.
The Teenager
Teenagers became a recognised demographic in the 1950s. Having less pressure to abound up as quickly every bit their parents, they could dedicate more than time to leisure and had money to spend. Consequently, the hair companies noticed and fabricated products specifically geared towards the teen market.
Teenagers, in particular, were influenced past music , specially when stone and gyre rocketed into the charts in the mid-'50s. Stone and roll was the music upstart of the decade, defining the 1950s teenager.
However, it was more than than just a music style, meaning it also influenced attitudes, fashion, hair and lifestyle. It also divided the younger and older generations just brought young black and white audiences together.
Here is a video from 1956 showing some styles for teens using accessories:
Popular 1950s Hairstyles
The Poodle Cut
This brusk and tightly curled hairstyle resembled a poodle'south coat, hence the name. It was also known as a bubble cut. It was popular in the showtime half of the 1950s and was a good hairstyle for women with naturally curly hair.
The Italian Cut
The Italian cut hairstyle emerged in 1953, predominantly inspired past the stars of Italian movies, and became a popular choice for women.
It was a short and curly style like the poodle cut, merely less tightly curled. It was a shaggy and loose withal sculptured hairstyle featuring all-over waves, soft curls and fluffy kiss curls.
Italian screen sirens Gina Lollobrigida and Sophia Loren had the Italian cutting. Elizabeth Taylor likewise adopted it at ane indicate.
Soft Bob
This women's 1950s hairstyle was for medium length pilus. Information technology was a softer and slightly fuller version of the poodle cut. Here, the curls were looser and more brushed into waves. It could also take a little lift and volume to information technology.
Information technology was a popular and versatile hairstyle that the wearer could conform to suit their face shape.
The Cube Cutting
The cube was a very curt haircut with a fringe that was pop in Great britain in the mid-1950s. The pilus at the sides was cut beyond at mid-ear length, creating an angular and stepped await.
Video from 1955 looking at the cube cut and temporary hair colouring:
The Gamine Look or Pixie Cut
It was a short layered hairstyle with a high fringe that emerged in the early 1950s.
Several actresses wore this style, most noticeably Audrey Hepburn . Her long hair was cut short during a scene in Roman Vacation (1953) as a mark of her character's independence.
There were also other short, masculine haircuts, such every bit the butch cut .
Pageboy or Brushed Under Bob
This fashionable and versatile hairstyle could vary in length from quite a brusque bob to shoulder-length.
The pilus was styled to be sleek and smoothen, possibly with a slight wave at the forepart or the sides – that all depended on the wearer's choice. Ultimately, the hair was always curled nether to course a continuous and polish U-shaped roll around the dorsum and sides.
Grace Kelly oft wore her jaw-length pilus in a sleek pageboy. Marilyn Monroe sometimes styled her hair this style too.
Long Hair & Horsetails
Most women over the age of 20 would generally wearable their hair in a shorter style. However, some women did have long hair, peculiarly teenagers, students and "Beat Girls" like Bettie Page .
While long hair could exist left downwards (similar Bettie Folio), tying it back into a ponytail was too fashionable – known in the 1950s as a horsetail.
The ponytail was a popular look for Western teenagers. Information technology was and then stylish for immature women that information technology was the hairstyle seen on the offset version of Barbie in 1959.
It remained a popular await throughout the 1950s. Audrey Hepburn wore her long hair in a pony with a brusque fringe in Funny Face (1957). The 1950s fringe was brusk, finishing no longer than the middle of the forehead.
Bouffant
The modernistic bouffant started in the mid-'50s, condign more popular by the end of the decade. It increased in size equally the decade came to a close and started to encounter hair piled high on meridian of the caput – a forerunner of the beehive.
The main elements of a bouffant hairstyle were book and height. Backcombing and hairspray were needed to keep this look set rock solid. Ultimately, women might not touch their bouffant until their hair needed washing out.
Large wire mesh rollers were now on the market and were used to help set the hair with the lift needed for a bouffant mode.
Black Women's 1950s Hairstyles
Straightening was carried out at domicile or in a black dazzler salon.
The hot rummage method (as used in previous decades) was still the primary method of straightening until chemic relaxers became more available. Firstly, a protective pomade or oil was put through the pilus, followed by a heated metal comb. It transformed tight curls into glossy directly hair. The straightened hair was styled as required, staying this manner until it got moisture or washed.
Chemic pilus relaxers were a permanent solution, equally the hair stayed directly even after contact with h2o. It eliminated the need for hot combs.
Wigs were as well popular as a quick and like shooting fish in a barrel style to have the latest fashionable style. They removed the demand for the time-consuming and potentially painful process of straightening.
Towards the terminate of the 1950s, a tiny minority of women started to leave their hair natural and non straightened. It would set up the ball rolling for the politically charged afro revolution of the1960s.
Setting & Perming Hair
There were two main ways to create curls and waves in hair – a wet ready or perm.
The more traditional moisture set techniques include using pivot curls or rollers. Offset of all, a setting lotion would be applied to the wet hair, then the pilus and set up in pin curls or rollers. A drying hood baked the fix into place.
Perming created longer-lasting sets, avoiding the need to moisture set the hair as oftentimes.
Temporary & Fashion Hair Colours
Colouring products and techniques advanced in the 1950s, allowing women to modify their pilus colour on a whim at dwelling house. For example, one-step products that allowed hair to be bleached, shampooed and dyed hands at dwelling came onto the market in 1950.
Some products immune women to add together bleached or coloured streaks to their hair. As a outcome, women became experimental with hair colour and liked to change it whenever information technology suited them.
Women didn't merely dye their hair in natural colours either – fashion colours were popular. As well as dying their pilus ane color, women would likewise take two-tone hairstyles . For example, the front may be dyed green, and the dorsum of the hair a dark grey.
Temporary colouring products were besides popular. They allowed women to spruce up their hair in no time to friction match their outfit – as well as remove it without hassle. Products included sprays, paints, powders, and little hairpieces chosen flashes.
Gold and silver streaks painted onto the hair dressed it up. In that location were also metal powders that could be were sprinkled or puffed into the hair to create an all-over shimmer effect. These coloured sprays and paint-on lacquer products were done or brushed out easily.
The small flashes of coloured hair could be attached to someone's hair with a grip or glued onto the front hairline with spirit gum. Also known as chameleon streaks , they came in a multitude of colours. Hair flashes were easily removed for apply again at some point.
Two-tone hair demonstrated here by hairdresser Raymond Bessone:
Video from 1955 demonstrating pilus flashes, or chameleon streaks:
Hair Accessories
False Pilus
Hairpieces were used to add item, like a chignon or a plait. They also added length or book , as sometimes hair fashions changed quicker than hair could grow. Therefore, a woman could hands turn short pilus into an updo for the evening.
Pieces came in all sorts of colours so they could be colour-matched to the wearer'south pilus colour. Likewise, a fashion colour could create contrast. Some hairpieces came prepare curled and styled – they just needed pinning onto the head and dressing in with the natural hair.
Flowers
Wearing flowers in the hair was popular with teens. In the mid-1950s, flowers became quite trendy and wreaths of carnations and daisies were worn around the head. A rose corsage was worn on the side of the head or pinned into a chignon.
Headbands
Headbands were made of plastic, metallic and material. They could be plain or decorated with things like flowers, jewels or fur.
Headbands helped when growing out shorter hairstyles like the Italian cut. For example, a thin headband was placed over the front hair, pulling it smooth. The back hair would then exist fluffed out.
Scarves
Made from material like silk organza, headscarves were loosely draped over the head and tied under the chin. If the material was long enough, they were likewise tied around the neck.
Women'due south 1950s Hats
Hats were essential for all but the most coincidental occasions in the early 1950s. However, by the mid-'50s, hats became worn less often, as the formality of having a hat, gloves and bag was tailing off.
Most 1950s hats were modest and meaty. The exception was sun hats – a wider-brimmed cartwheel blazon hat designed to keep the sun off the face in summer.
Hats came in various colours and could characteristic all sorts of decorative items, like feathers, rhinestones, pearls, or a veil.
Pop 1950s hats included:
- Lampshade or flowerpot lid.
- The circle chapeau – a very flat and sparse circular hat that could consist of a few layers.
- French berets – especially liked by Beatnik higher students.
- The pillbox – popular throughout the 1950s and into the 1960s.
- The mushroom – a full chapeau with a mushroom-shaped brim.
- Juliet caps – a small skull cap blazon hat designed to show off hairstyles like the Italian cut.
- Bouffant Brims – a flying-saucer-shaped chapeau designed to be worn with a bouffant hairstyle.
Notice Out More than
- Women's 1950s Makeup: An Overview.
- Vintage 1950s Makeup Colour Charts & Brochures – getting the colours right is all part of creating an authentic vintage look.
- Read about the 1950s on Wikipedia.
Sources:
Corson, R. (2000).Fashions in Hair: The First Five Thousand Years.Peter Owen.
Sherrow V. (2001). For Appearances' Sake: The Historical Encyclopedia of Good Looks, Beauty and Grooming.Greenwood.
Source: https://hair-and-makeup-artist.com/womens-1950s-hairstyles/
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